![]() If other 1970s greats, including Don Henley, were having 80s hits with modern, synth-heavy records then why shouldn’t Neil Young give it a go? A question to which the obvious answer is: because it might sound like Landing on Water, on which perfectly good songs – not least Hippie Dream’s devastating portrait of David Crosby in his coked-out ruin – were knackered by sterile, unsympathetic production.Īs a monumental middle-finger to a record label that had demanded a “rock” album from Young, the rockabilly and 50s R&B of Everybody’s Rockin’ is pretty impressive.
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